Moving Movement — DUSK AND DAYBREAK at UHM
by
Guest Contributor
Becky
McGarvey
This
year’s Winter Footholds dance show at UH Mānoa, Dusk and Daybreak, is
consistent in the Footholds tradition of collecting a wide range of different
types of dances and themes and shaping them into one interesting dance concert.
This year’s audience has the pleasure of voyaging to Japan and India (to name a
few) and also through some out-of-the-ordinary places existing somewhere in
each individual choreographer’s psyche.
One
such piece is choreographer Antonia Brown’s “Red-Handed.” This captivating duet
features a young dancer, Alison Burkhardt, with one arm completely covered in
red paint up to her elbow. Not only is this a striking image against the black
box Earle Ernst Lab Theatre and the dancers’ simple black costumes, but it
becomes even more outstanding as Burkhardt touches her partner, Mercedes
Johnson, and paints parts of her neck, arms, and back red. Beautiful quality of
dancing aside, the final image of Johnson drawing Burkhardt’s red hand across
her stomach and leaving a bright red gash is uncomfortably stirring, in a very
good way.
The
evening also includes some interesting pieces that portray very thoughtful
themes and set designs. Mayu Ota and Cher Anabo, in fulfillment of their MFA
degrees, use projected images as the backdrop of their dances, as well as props
and specific costume design.
Ota’s
“Beyond Time” depicts a woman looking at Japanese paintings in a museum and
expressing the beauty and struggles of her ancestors, and Anabo’s “Salpukan:
Moving Bodies, Moving Meanings” is an abstract presentation on human
trafficking, including a score comprised of several people speaking on various
parts of the subject. The piece is very well conceptualized: images of human trafficking
projected onto the stage, the dancers all wearing girdles, and the white
flowing fabric they use as a prop and a set piece give the simple stage depth
as these elements shield the audience from seeing what goes on behind closed
windows.
Although
many of the dances have rather dark or meditative qualities to them, there are
some lighter moments, such as the fusion of dance and magic tricks in Kent
Shinomae’s “Just an Illusion” and BFA candidate Keely Urbanich’s senior thesis
“Helicopters and Tea,” which is a very brightly colored piece that I can only
assume is about helicopters…and tea.
Rohini
Acharya’s “The Dance of Sound” is a well-crafted piece that uses traditional
Indian dance, Bharata Natyam, to make a colorful rhythmic dance. The dancers
uses the basic exercises of Bharata Natyam to create rhythms with the stomping
of their feet while the choreographer plays a percussion instrument on the
stage and counts aloud in Hindi.
Between
the thoughtful and moving pieces and the fun and interesting pieces are BFA
Candidate Cassandra Glaser’s “Family Ties,” which includes some very beautiful
aerial dance work, and Sami Akuna’s experimental “15 Seconds to Repeat,” a
simple, almost post-modern dance that uses the repetition of everyday movement,
such as eating and talking on the phone.
The
evening ends with Angie Haugejorden’s “Tranquil Purification,” in which a trio
of dancers interacts with a bowl of lighted water. Whether these women are
washing their face after a particularly scary nightmare or partaking in some
holy worship, the dancers perform with such beautiful commitment to the
movement that one can enjoy the dance without worrying about what it means.
I
recommend a Winter or Spring Footholds to anyone wanting to see just how many creative
ways there are to express ideas with movement. Regardless of whether you “get”
the various dances or not, you will not be bored. All the pieces are premieres
of student work, guaranteeing you will see something that no one else on the
island has seen before and, if you keep an open mind, you might really like
some of it.
Tickets and Showtimes
Feb.
22, Feb. 23, Feb. 24, Feb. 25 at 8 PM.
Feb. 26 at 2 PM.
General Admission: $15.00
Seniors, Military, UH Faculty/Staff: $14.00
Students: $12.00
UHM Students: $5.00
Feb. 26 at 2 PM.
General Admission: $15.00
Seniors, Military, UH Faculty/Staff: $14.00
Students: $12.00
UHM Students: $5.00
Photo:
Copyright: All rights reserved
by Kennedy Theatre @ UH Manoa
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